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Best Movies About the Filthy Rich
They understand wealth as power, not just bad behavior.
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The Discreet Charm of the Bourgeoisie â Luis Buñuel (1972)
Buñuel repeatedly prevents wealthy friends from completing dinner while preserving their entitlement and manners. The surreal interruptions make bourgeois ritual look both absurd and indestructible.
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2.
American Psycho â Mary Harron (2000)
Mary Harron treats Patrick Bateman's designer labels, restaurant bookings and identical business cards as evidence of a class without identity. The satire is sharper than the violence.
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Society â Brian Yuzna (1989)
Brian Yuzna turns the rich into literal body-consuming monsters. The effects are grotesque and funny, but the blunt class metaphor is exactly what gives the horror its force.
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4.
The Rules of the Game â Jean Renoir (1939)
Jean Renoir gathers aristocrats and servants at a country estate, then exposes the rules protecting both desire and cruelty. The elegant comedy remains one of cinema's sharpest portraits of a ruling class.
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5.
Parasite â Bong Joon-ho (2019)
Bong Joon-ho turns a modern house into a diagram of wealth: one family lives above ground, another below it. Movement through the building explains the class conflict before anyone does.
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6.
The Exterminating Angel â Luis Buñuel (1962)
A group of upper-class guests finds itself unable to leave a room for no practical reason. Buñuel uses the impossible premise to strip away status and social discipline.
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7.
The Servant â Joseph Losey (1963)
Joseph Losey follows a servant who gradually controls his employer's home, habits and relationships. The shifting rooms and performances turn class dependence into a psychological power struggle.
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La CĂ©rĂ©monie â Claude Chabrol (1995)
Claude Chabrol builds toward violence through wages, literacy, household rules and small humiliations. The thriller understands how class contempt accumulates in ordinary domestic life.
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9.
The Wolf of Wall Street â Martin Scorsese (2013)
Scorsese makes Jordan Belfort's money, drugs and salesmanship exhilarating enough to implicate the audience. The film then shows the workers and institutions that make the excess possible.
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10.
Triangle of Sadness â Ruben Ăstlund (2022)
Ruben Ăstlund moves models and billionaires from a luxury yacht to an island where money has no immediate use. The reversal exposes how quickly status follows practical power.
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